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Given the current Hollywood craze for comic book movies, now is the perfect time for a movie version of inFAMOUS . This open world game casts players as Cole McGrath, a bike courier who gains electricity-based superpowers when he's caught at the center of a devastating explosion. After the smoke clears, Cole is faced with the choice to either become a superhero and save the citizens of Empire City, or use his powers to become a supervillain and make people fear and despise him. No matter which path you pick, this is one comic book style video game that we definitely want to see on f
Movement off the horse, such as in a dungeon or mine, occurs with no player input, putting focus solely on clearing away baddies. Combat is handled via two main powers controlled by each hand. The right hand casts a damage-dealing attack spell, while the left hand can push enemies back or fling environmental objects at them. To execute either attack, you simply aim at the intended target and push your lower arm away from your upper arm with the palm facing out. While it’s a simple combat system, it truly feels that you are the one casting the spells -- always a victory for motion-based titles. Common variances like needing the left hand to pull the armor off of an enemy, while dealing damage with the right prevents gameplay from seeming stale.
What better way to reinvent a gaming franchise than taking away the controller? It’s a risky proposition to turn one of the most successful Xbox franchises into a Kinect-only title, but that’s exactly what’s been done with Fable. Instead of producing a family-friendly mini-game based game, however, Lionhead Studios have created a full-blown adventure that manages to rival the main canon in scope. Not only is Fable: The Journey an evolution of the series, but a crucial experiment to see if Kinect can manage to produce a story-driven experience with nothing but the player’s body.
There’s something odd about an HD port built for a console which itself has games that are being ported to a superior console. Let’s reflect on Fable Anniversary for a second: it’s a 2014 Xbox 360 remake of an Xbox game from 2004. We’re in an age where people are demanding for spectacular looking games like Grand Theft Auto V and The Last of Us to be ported to Xbox One and PS4, and this is an Xbox 360 port of an original Xbox game. As such, judging it is fairly hard to do after spending countless hours over the past few months scrutinizing next-gen ports like Tomb Raider, Madden 25 and Call of Duty: Ghosts, when Fable Anniversary would be a resounding success if it matched the 360 quality of any of them. Still, while a remake of Fable might have been better suited for release before Fable II or as a three-pack with its sequels on Xbox One before Fable IV (please?), the sheer fact that Lionhead and Microsoft care to do it at all is great fan service for players who have had to deal with an antiquated game — classic as it may be.
While creating a sprawling adventure game tips controlled only by body movements may seem impossible, the world has been carefully sculpted around the concept. Nearly the entire game is on-rails, with player-controlled progress limited to traveling via horse and carriage. Movement of Seren is controlled by grabbing onto the reins. Once holding on, jerking both hands up in a cracking motion makes the horse go faster, while pulling your hands up towards your body stops her. To move left or right, you pull the hand of the intended direction towards you while extending the opposite arm. Intensity is based on how fast and dramatic the gestures are. Instead of simply darting to the next area, however, players must pay attention to not run into obstacles while scoping out any side-areas, where treasure chests or revealing NPCs can be found.
The sense of freedom became apparent in the early stages of the game during the tutorial. There was no fighter, mage or rogue class; the player simply trained in archery, melee combat and spellcraft. How these skills developed was based on what approach was used in battle and doing successful combos with any of them would multiply the gained experience. The experience was divided into the three combat categories along with general experience that could be distributed as desired. Personal experience seemed that mastering consistently high combat multipliers with the bow was tricky, but by halfway through the game the character would easily be a formidable magic using tank. Bandits, balverines and trolls quickly changed from dangerous enemies to cannon fodder.
If there ever was a game designer that should not talk about his games prior to their release date, it's Peter Molyneux. When discussing his projects, Molyneux has a childlike sense of excitement where he will enthusiastically share details on his grand ambitions for the title. This is actually quite refreshing in itself, because who doesn't enjoy hearing someone passionately discuss their creative projects? The problem with this occurs when the game in question is actually released. The game itself could be good, even great if it were simply judged for what it is, but disappointment is going to happen when a title fails to deliver on lofty promises no matter how good it may otherwise. The most memorable example of Molyneux creating hype that the game couldn't live up to was 2004's Xbox exclusive action RPG Fable.
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